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- Marcus Clarke and the TheatreEssay1 May 1975
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in EnglishEssay1 June 1991
- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Ern Malley and His RivalsEssay1 May 2001
- Les Murray: A Selective ChecklistEssay1 October 2001
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- The Fiction of Gabrielle LordEssay1 October 1999
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963