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‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s Fiction

Impossible Literary Histories

Grant Watson and the Aborigine: A Tragic Voice in an Age of Optimism

Marcus Clarke and the Theatre

Narrative Perspective and Cultural History in *Robbery Under Arms*

Transfigured Histories: Recent Novels of Patrick White and Robert Drewe

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

The Short Story Cycles of Frank Moorhouse

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

A Reconsideration of Christina Stead at Work: Fact into Fiction

Randolph Stow’s *Outrider* and the French Voyager Poem

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

Transgressing Language?: The Poetry of Ania Walwicz

Michael Wilding’s Three Centres of Value

Ern Malley and His Rivals

Les Murray: A Selective Checklist

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny