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- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Some Developments in Short Fiction, 1969-1980Essay1 October 1981
- Charles Harpur and the Myth of OriginsEssay1 October 1987
- A Lost Dimension: The Immigrant’s Experience In the Work of David MaloufEssay1 May 1988
- What Created, What Perceived?: Early Responses to New South WalesEssay1 October 1975
- Charles Harpur’s Disfiguring Origins: Allegory in Colonial PoetryEssay1 May 1990
- ‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic OmerosEssay1 October 2001
- The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth CenturyEssay1 May 2006
- Bodies that Speak: Mediating Female Embodiment in Tim Winton’s FictionEssay1 June 2012
- Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and FlushEssay1 June 2010