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- O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and CelebrityEssay1 October 2004
- The Time of Biopolitics in the Settler ColonyEssay1 June 2011
- Afterword: The Story of a BookmarkEssay1 June 2013
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance MeasurementEssay1 November 2013
- Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial PoetryEssay1 October 2010
- Interview with David MaloufEssay1 May 2010
- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*Essay31 October 2015
- Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the CurriculumEssay19 September 2017
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- ‘Nearly all deep fertile soil’: Les Murray, His Son and AutismEssay23 May 2022
- Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’Essay30 September 2022
- ‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.Essay28 April 2020
- Caesura and the Deforming Poem: Rupture as a Space for the OtherEssay23 May 2022
- The Hero’s ‘Fear of Freedom’ in KeneallyEssay1 October 1972
- IntroductionEssay7 December 2016
- Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political NovelEssay1 October 1970
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018