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- Review of *National Fictions: Literature, Film and the Construction of Australian Narrative* by Graeme TurnerReview1 October 1987
- Ada Cambridge, G.F. Cross, and ‘The Modern Pulpit’Essay1 May 1992
- Henry Handel Richardson Fifty Years OnEssay1 May 1998
- The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*Essay1 May 1999
- The Origin of ‘The Settler’s Lament’Essay1 June 1963
- *My Brilliant Career*: The Career of the *Career*Essay1 October 2002
- Celebrating Elizabeth JolleyEssay1 May 2009
- Review of *Backgazing: Reverse Time in Modernist Culture* by Paul GilesReview30 September 2022
- Irish Republicanism and the Colonial Australian Bushranger NarrativeEssay30 September 2021
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- Havelock Ellis’s Australian IdyllEssay1 June 1967
- History and Fiction in Rolf Boldrewood’s *The Miner’s Right*Essay1 June 1967
- D. H. Lawrence’s AustraliaEssay1 October 1970
- Literary Nationalism and the 1890sEssay1 May 1971
- Review of *Vance Palmer* by Harry HeseltineReview1 October 1971
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Marcus Clarke and the TheatreEssay1 May 1975