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- Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and CanadaEssay1 October 2006
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- Conceptual Poetry, Nonconceptual Poetry, Postconceptual PoetryEssay1 October 2013
- Reading EnglishEssay1 June 2013
- Review of *Entangled Subjects: Indigenous/Australian Cross-Cultures of Talk, Text, and Modernity*, by Michele GrossmanReview1 June 2014
- The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’Essay1 May 2011
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- Review of Serious Frolic: Essays on Australian Humour, edited by Fran de Groen and Peter KirkpatrickReview1 May 2011
- The Return of the Fairy: Australian Medievalist Fantasy for the YoungEssay1 October 2011
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- English Studies at the University of New England: A Report from the Field.Essay1 June 2013
- Review of *Barbara Hanrahan: A Biography*, by Annette StewartReview1 October 2010
- Review of *Rainforest Narratives: The Work of Janette Turner Hospital*, by David CallahanReview1 October 2010
- Aboriginal Women's Life-History Writing, Settler Reading and *Not Just Black and White*Essay11 December 2022
- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- Review of *The Burning Library: Our Great Novelists Lost and Found*, by Geordie WilliamsonReview1 November 2012
- Review of *Shirley Hazzard: Literary Expatriate and Cosmopolitan Humanist*, by Brigitta OlubasReview1 November 2012
- Mary Fortune as Sylphid: ‘blond, and silk, and tulle’Essay1 October 2012