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Demidenko/Darville: A Ukrainian-Australian Point of View

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth Century

‘But who considers woman day by day?’: Australian Women Poets and World War I

‘That Wild Run to London’ : Henry and Bertha Lawson in England

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius Barbeau

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky

Beatrice Davis and ‘The Sacredness of the Printed Word’

A Decade of Complaints

Creative Acts: Archives, Artifacts and Australian Women’s Autobiographies

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Romantic Attitudes in *Geoffry Hamlyn*

The Convict and the Aborigine: The Quest for Freedom in *Ralph Rashleigh*

Catherine Helen Spence, Unitarian Utopian

Patrick White, Some Lines of Development: *The Living and the Dead* to *The Solid Mandala*

Thomas Keneally’s ‘Innocent’ Men