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- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- A.G. Stephens: The Critical *Credo*Essay1 December 1964
- Getting Started: The Emergence of Christina Stead’s Early FictionEssay1 October 1987
- A Lost Dimension: The Immigrant’s Experience In the Work of David MaloufEssay1 May 1988
- Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’Essay1 October 1975
- Decomposing Suburbia: Patrick White’s PerversityEssay1 November 1998
- The Time of Biopolitics in the Settler ColonyEssay1 June 2011
- Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)Essay1 October 2014
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010
- Honour the Single Soul: Homage to Randolph Stow (1936-2010)Essay1 May 2011
- Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional VerseEssay1 June 2014
- Since 1964 ...Essay30 May 2015
- *In the Heart of the Country* and Pain: Re-reading Space, Gender and AffectEssay25 February 2018
- Charles Rowcroft: An Unpublished MemoirEssay1 October 1967
- Review of *Henry Lawson, Letters 1890-1922* edited by Colin RoderickReview1 May 1971
- Patrick White’s *The Vivisector*: The Artist in Relation to His ArtEssay1 October 1971
- Review of *The Passing Guest: A Life of Henry Kingsley* by J.S.D. MellickReview1 May 1984