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- Review of *J.M. Coetzee and the Paradox of Postcolonial Authorship*, by Jane PoynerReview1 October 2010
- Review of *Shirley Hazzard: Literary Expatriate and Cosmopolitan Humanist*, by Brigitta OlubasReview1 November 2012
- Sex and the City: New Novels by Women and Middlebrow Culture at Mid-CenturyEssay1 October 2012
- Review of *Angus & Robertson and the British Trade in Australian Books, 1930-1970. The Getting of Bookselling Wisdom*, by Jason D. EnsorReview1 October 2014
- ‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*Essay23 May 2022
- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs OverEssay15 December 2025
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- Review of *The Fiction of Tim Winton: Earthed and Sacred*, by Lyn McCredden.Review25 February 2018
- Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*Essay28 April 2020
- Henry Lawson’s New Zealand Visits: A CommentEssay1 May 1969
- The Sources of *His Natural Life*Essay1 October 1969
- Literary Composition on Board a Convict Ship : The ‘Pestonjee Bomanjee Journal’Essay1 October 1969
- Marcus Clarke, ‘Damned Scamp’Essay1 May 1971
- Review of *Kenneth Slessor* by Herbert C. JaffaReview1 October 1971
- Review of *Witnesses of Spring: Unpublished Poems* by Shaw NeilsonReview1 October 1971
- Some Previously Unpublished Lawson Material in Australian LibrariesEssay1 October 1982
- Louisa Lawson’s ‘The Australian Bush-Woman’–A Source for ‘The Drover’s Wife’ and ‘Water them Geraniums’?Essay1 October 1982
- Review of *Miles Franklin: Her Brilliant Career* by Colin RoderickReview1 May 1983
- The Reviewer and Miss RobertsonEssay1 May 1984