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- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- Parliamentary Medievalism: The Australian Magna Carta as Secular RelicEssay1 November 2011
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013
- Poetry, Activism and Cultural CapitalEssay1 November 2013
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- On Not Having Sex: Sumner Locke Elliott and Queer HistoryEssay19 December 2019
- **Aboriginal Mobilities and Colonial Serial Fiction**Essay30 April 2021
- Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*Essay23 May 2022
- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021
- Irish Republicanism and the Colonial Australian Bushranger NarrativeEssay30 September 2021
- By Association: Crafting Mission and Values Statements for the Australian University Heads of EnglishEssay30 October 2023
- Evaluating Literary Studies [FOR 4705] in Australia: Bad Data, Bad Peer ReviewEssay30 October 2023
- Recentring Water: Thinking with the Chain of PondsEssay25 May 2024
- ‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)Essay3 October 2024
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Writing Places in the Spaces of AIEssay22 December 2025
- Place, History and Story: Tony Birch and the Yarra RiverEssay5 May 2016