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- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- The Mysterious Case of Carter Brown, or, Who Really Killed the Australian AuthorEssay1 October 2004
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s MovementEssay1 May 2002
- Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century AustraliaEssay1 May 2005
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Tainted Testimony : The Khouri AffairEssay1 October 2004
- Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’Essay1 May 2007
- Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth JolleyEssay1 October 2009
- Counter-PoeticsEssay1 June 2011