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Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*

Catherine Martin, Writer: Her Life and Ideas

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

Impossible Literary Histories

Jindyworobaks and Aborigines

Old Orders, New Lands: The Earth Spirit in Picnic at Hanging Rock

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

The Short Story Cycles of Frank Moorhouse

Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

Ages of Reason: Ethics, Metaphor and the Work of Jennifer Maiden

Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

Ern Malley and His Rivals

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne