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A Reconsideration of Christina Stead at Work: Fact into Fiction

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*

Obscene and Over Here : National Sex and the Love Me Sailor Obscenity Trial

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

Future Tense: *Dead Europe* and Viral Anti-Semitism

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

Conceptual Poetry, Nonconceptual Poetry, Postconceptual Poetry

Where Literary Studies Is, and What It Does

Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive Senior

The Return of the Fairy: Australian Medievalist Fantasy for the Young

English Studies at the University of New England: A Report from the Field.

Displaced Selves in Contemporary Fiction, or the Art of Literary Activism

A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. Coetzee

**Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**

Books as Gifts: The Meaning and Function of a Personal Library

Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’