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Vincent Buckley, Colonialism and the Problem of Irish-Australian Identity

Technologies of Literature: Reading, Judgment, and the Large Language Model

‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*

Writing Places in the Spaces of AI

Annual Bibliography of Studies in Australian Literature: 1992

Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*

William Hay and History : A Comment on Aims, Sources and Method

Official Criticism? Critical Practices and Australian Poetry

‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and Celebrity

Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of Remembering

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism

Teaching the Value of Literature (and Other Paradoxes)

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary Criticism

A.D. Hope and the Poetry of Allusion