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- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- The Composition of *Geoffry Hamlyn*: The Legend and the FactsEssay1 October 1968
- The Genesis of a Writer: The Early Years of Kenneth MackenzieEssay1 October 1968
- Out of Context: A Study of Thomas Keneally’s NovelsEssay1 May 1969
- Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’Essay1 October 1975
- The Treatment of the Aborigine in Early Australian Fiction, 1840-70Essay1 May 1972
- Afterword: The Story of a BookmarkEssay1 June 2013
- Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice TawhaiEssay1 November 2010
- From the Harp of Erin to Erin of the Harp with Thomas KeneallyEssay30 May 2015
- Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ FictionEssay3 December 2018
- Review of *Mick: A Life of Randolph Stow*, by Suzanne FalkinerReview25 February 2018
- Review of *Like Nothing on this Earth: A Literary History of the Wheatbelt*, by Tony Hughes-d’AethReview5 July 2019
- Brunton Stephens as Literary CriticEssay1 December 1965
- The Author of *The Hibernian Father*: An Early Colonial PlaywrightEssay1 December 1966
- The Text of Lawson’s ProseEssay1 December 1966
- Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*Essay1 October 1967