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- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- Australian Paintings in EnglandEssay1 May 1988
- EditorialEssay15 February 2016
- Vance Palmer and the Unguarded AwarenessEssay1 May 1974
- Rosemary Dobson : The Influence of ArtEssay1 May 1974
- The Art of ‘Cracking Normal’Essay1 October 2001
- Review of *Between Literature and Painting: Three Australian Women Writers*, by Roberta BuffiReview1 October 2003
- Review of *Transcultural Graffiti: Diasporic Writing and the Teaching of Literary Studies*, by Russell West-PavlovReview1 May 2006
- Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van NeervenEssay2 November 2018
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Editors’ Statements [Stephen Murray-Smith]Essay1 October 1981
- Some Sources of *White Stag of Exile*Essay1 May 1986
- Review of *Backgazing: Reverse Time in Modernist Culture* by Paul GilesReview30 September 2022
- Review of *Ours As We Play It: Australia Plays Shakespeare*, by Kate FlahertyReview1 May 2012
- Review of *The Experimental Fiction of Murray Bail* by Michael AcklandReview1 October 2013
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Barbara Baynton: Woman as ‘The Chosen Vessel’Essay1 May 1983
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- *In the Heart of the Country* and Pain: Re-reading Space, Gender and AffectEssay25 February 2018