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- Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*Essay1 October 2007
- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Interview with Randolph StowEssay1 May 1982
- ‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry KendallEssay1 May 2004
- **Contingencies of Meaning Making: English Teaching and Literary Sociability**Essay29 October 2020
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Reading (in/and) *Miranda*Essay1 May 2006
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- Friendship in a Time of LonelinessEssay1 May 2009
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*Essay5 July 2019
- Patrick White’s *The Vivisector*: The Artist in Relation to His ArtEssay1 October 1971
- Some Sources of *White Stag of Exile*Essay1 May 1986
- The Family Face: Martin Boyd’s Art of MemoirEssay1 May 1976
- An Irish Conflict in *Bring Larks and Heroes*Essay1 October 1976
- A Link with Late Nineteenth-Century Decadence in ‘Maurice Guest’Essay1 October 1972
- Review of *The Stenhouse Circle: Literary Life in Mid-Nineteenth Century Sydney* by Ann-Mari JordensReview1 May 1980