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‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian Club

Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*

Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

Interview with Randolph Stow

‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry Kendall

**Contingencies of Meaning Making: English Teaching and Literary Sociability**

Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’

Excavating a Bonanza: Sarah Campion

Shopping at Last!: History, Fiction and the Anti-Suburban Tradition

Reading (in/and) *Miranda*

Imagining Transcendence: The Poetry of David Malouf

Friendship in a Time of Loneliness

A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*

The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*

Patrick White’s *The Vivisector*: The Artist in Relation to His Art

Some Sources of *White Stag of Exile*

The Family Face: Martin Boyd’s Art of Memoir

An Irish Conflict in *Bring Larks and Heroes*

A Link with Late Nineteenth-Century Decadence in ‘Maurice Guest’