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The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*

Vincent Buckley, Colonialism and the Problem of Irish-Australian Identity

'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special Issue

Technologies of Literature: Reading, Judgment, and the Large Language Model

Introduction: AI and the Future of Literary Studies

Bridging Distances: Ruth Park’s *A Power of Roses* (1953)

Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000

‘The Kingdom of Dust’: *Voss* as Planetary Epic

‘Listen        to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie Scarce

A Book By Any Other Name? Towards a Social History of the Book in Aboriginal Australia

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

The Redemptive Theme in *His Natural Life*

Patrick White’s *A Fringe of Leaves*: History and Fiction

John Grant: Australia’s First ‘Really’ Radical Poet

No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850

Short Story Anthologies and ‘the Solid Body of Australian Fiction’

The Drowned World of Kenneth Slessor

Demidenko/Darville: A Ukrainian-Australian Point of View

Gender Buttons

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*