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- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- Review of *The Burning Library: Our Great Novelists Lost and Found*, by Geordie WilliamsonReview1 November 2012
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- A Lady’s Letter from London: 1873-1908Essay1 October 1984
- 'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George JohnstonEssay1 June 2016
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*Essay25 February 2018
- Review of *Half the Perfect World: Writers, Dreamers and Drifters on Hydra, 1955-1964*, by Paul Genoni and Tanya DalziellReview3 December 2018
- Review of *The Fiction of Tim Winton: Earthed and Sacred*, by Lyn McCredden.Review25 February 2018
- An R.H. Horne Poem on Burke and WillsEssay1 December 1963
- Kenneth Slessor and the GrotesqueEssay1 December 1964
- Charles Rowcroft: An Unpublished MemoirEssay1 October 1967
- Historiography in Melbourne in the Eighteen Seventies and EightiesEssay1 October 1969
- Literary Composition on Board a Convict Ship : The ‘Pestonjee Bomanjee Journal’Essay1 October 1969
- A Checklist of Kenneth Mackenzie’s WorksEssay1 October 1970
- Review of *The Poet Militant: Bernard O'Dowd* by Hugh Anderson; and *Christopher Brennan: Some Recollections* by Richard PenningtonReview1 October 1970
- Review of *Kenneth Slessor* by Herbert C. JaffaReview1 October 1971
- Further Evidence in the Early Use of ‘bushranger’Essay1 May 1972
- Ocean of StoryEssay1 October 1981