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The Short Story Cycles of Frank Moorhouse

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

Review of *The Intimate Empire: Reading Women's Autobiography*, by Gillian Whitlock

Veronica Brady’s Biography of Judith Wright

*Geoffry Hamlyn* and Its Australian Setting

Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*

Review of *Timepieces*, by Drusilla Modjeska

Review of *Fabulating Beauty: Perspectives on the Fiction of Peter Carey*, edited by Andreas Gaile

Mid-Victorian Reading and the Antipodes

Reading Kate Llewellyn’s Garden(Books)

Review of *Ida Leeson: A Life - Not a Blue-Stocking Lady*, by Sylvia Martin

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

Review of *The Third Metropolis: Imagining Brisbane through Art and Literature 1940-1970*, by William Hatherell

Review of *By the Book: A Literary History of Queensland*, edited by Patrick Buckridge and Belinda McKay

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

Review of *Literary and Social Diasporas: An Italian Australian Perspective*, edited by Gaetano Rando and Gerry Turcotte

Finding Home: The Poetry of Margaret Scott

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek

Review of *Thea Astley's Fictional Worlds*, edited by Susan Sheridan and Paul Genoni