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Review of *Ours As We Play It: Australia Plays Shakespeare*, by Kate Flaherty

Vincent Buckley, Colonialism and the Problem of Irish-Australian Identity

Review of *A World of Fiction: Digital Collections and the Future of Literary History*, by Katherine Bode

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

The Hero’s ‘Fear of Freedom’ in Keneally

Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian Gray

The Fortunate Flâneuse

Patrick White’s Four Plays

‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940s

Transfigured Histories: Recent Novels of Patrick White and Robert Drewe

An Absence of Partisanship

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony Lawrence

Generations Lost and Found: Reading Women Writers Together

Conceptualising Irish-Aboriginal Writing

Caesura and the Deforming Poem: Rupture as a Space for the Other

**The ‘Settler Problem’: Country and the (Im)Possibilities of a Settler Ecopoetics**

‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories