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A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary Background

Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ Novel

Alan Seymour

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

Janette Turner Hospital’s Radical Re-Writing: Oedipal Charades

‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her Critics

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

The Fiction of Gabrielle Lord

The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s Movement

‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair

Reading (in/and) *Miranda*

Reading Kate Llewellyn’s Garden(Books)

Review of *Bluestocking in Patagonia*, by Anne Whitehead

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*