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‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*

Short Fiction Short Nation: The Ideologies of Australian Realism

Annual Bibliography of Studies in Australian Literature: 1983

Australian Literature: A Preliminary Subject Checklist

Annual Bibliography of Studies in Australian Literature: 1980

Annual Bibliography of Studies in Australian Literature: 1988

Displaced Homelands in Gerald Murnane’s *Inland*

The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*

Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore Ferrar

‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*

‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

Recentring Water: Thinking with the Chain of Ponds

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

Annual Bibliography of Studies in Australian Literature : 1968

Out of Context: A Study of Thomas Keneally’s Novels