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Literary Criticism in Australia: A Change of Critical Paradigms?

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988

Official Criticism? Critical Practices and Australian Poetry

The Pursuit of Oblivion: In Flight from Suburbia

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*

‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry Kendall

Interview with Andrew Taylor

‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and Anxiety

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

Folie, Topography and Family in Murray’s Middle-Distance Poems

*Fredy Neptune*: Metonymy and the Incarnate Preposition

Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom

The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth Century

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

First Steps toward a History of the Mid-Victorian Novel in Colonial Australia

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

Remembering the War: Australian Novelists of the InterWar Years