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Revaluing Australian Legends: Some Plays by Jack Hibberd

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*

Society and Nature in Such is Life

Asia, Europe and Australian Identity: The Novels of Christopher Koch

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Review of *Elizabeth Harrower: Critical Essays*, edited by Elizabeth McMahon and Brigitta Olubas

The Short Stories of Judith Wright

Three Talks: David Malouf, Les Murray and David Rowbotham: David Rowbotham

Australian Novels in French

Review of *Patrick White and Alchemy*, by James Bulman-May, and *Patrick White, Painter Manque: Paintings, Painters and Their Influence on His Writing*, by Helen Verity Hewitt

Review of *Creating Frames: Contemporary Indigenous Theatre*, by Maryrose Casey

Review of *The Literary Larrikin: A Critical Biography of TA.G. Hungerford*, by Michael Crouch

**Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**

'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George Johnston

Review of *Mary Gilmore: A Tribute* by Dymphna Cusack, T. Inglis Moore, and Barrie Ovenden

A. G. Stephens as Editor of Barcroft Boake’s Poems

Correspondence

Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*