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First Steps toward a History of the Mid-Victorian Novel in Colonial Australia

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

Remembering the War: Australian Novelists of the InterWar Years

Annual Bibliography of Studies in Australian Literature: 2007

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

Indigenous Literature and the Extractive Industries

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Words, Sticks and Stones: Keneally, Literature and Social Impact

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

Beatrice Davis and ‘The Sacredness of the Printed Word’

Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*

Annual Bibliography of Studies in Australian Literature: 1996

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’

Site Unscene: Medial Ideology and the Literary Interface

Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim Winton

Defining the Field of Irish-Australian Literature: Challenges and Conundrums