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- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive SeniorEssay1 November 2010
- Literary sources of Patrick White’s *Voss:* *A House is Built* and *Think of Stephen*Essay2 May 2023
- Eurydice’s Curse: J. M. Coetzee and the Prospect of DeathEssay25 February 2018
- Imitations and Versions of Russian Poetry: The Record of an ExperimentEssay1 May 1983
- Christina Stead’s ‘Drama of the Person’Essay1 October 1987
- Review of *Louisa* by Brian MatthewsReview1 May 1988
- Review of new books on Australian women's writingReview1 May 1989
- Art Builds on Art: Rosemary Dobson and Thea ProctorEssay1 May 1975
- Australian Children’s BooksReview1 May 1972
- A Link with Late Nineteenth-Century Decadence in ‘Maurice Guest’Essay1 October 1972
- On Our Selection: Special Australian Issues of Overseas JournalsEssay1 May 1981
- An Interview with Gabrielle LordEssay1 October 1999
- *My Brilliant Career*: The Career of the *Career*Essay1 October 2002
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Martin Boyd: A ChecklistEssay1 October 1972
- A.D. Hope’s ‘The Double Looking Glass’: A ReadingReview1 October 1974