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- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational RhetoricEssay1 November 2009
- An Indian without a CountryEssay1 June 2009
- Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’Essay1 May 2007
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Elizabeth Jolley’s Late WorkEssay1 May 2009
- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Minding Elephants and the Rhetorics of DestructionEssay1 June 2010
- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- The ‘Hollowness’ of English? A Case for NarratologyEssay1 June 2013
- ‘Cutting off the Head of the King’: Sovereignty, Feudalism, FantasyEssay1 October 2011
- Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’Essay1 October 2012
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- Research in Progress in Australian Literature [1979]Essay1 October 1979
- Towards the Source of ‘The Wanderer’Essay1 October 1979