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Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry Kendall

The Drowned World of Kenneth Slessor

Good Readers and Good Citizens: Literature, Media and the Nation

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

‘But who considers woman day by day?’: Australian Women Poets and World War I

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

Remembering the War: Australian Novelists of the InterWar Years

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

Annual Bibliography of Studies in Australian Literature: 1996

New Directions in Australian Literary Studies?: A Preliminary Discussion in Three Articles

‘Nearly all deep fertile soil’: Les Murray, His Son and Autism

Defining the Field of Irish-Australian Literature: Challenges and Conundrums