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‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War

Out of Context: A Study of Thomas Keneally’s Novels

Editing A.D. Hope

The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947

The Dual Nature of Shaw Neilson’s Vision

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Society of Women Writers 1925-1935

*Fredy Neptune*: Metonymy and the Incarnate Preposition

Demidenko/Darville: A Ukrainian-Australian Point of View

Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and Aesthetics

Australian Gothic: Theatre and the Northern Turn

Patrick White, Saul Bellow and the Problem of Literary Value

Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)

Honour the Single Soul: Homage to Randolph Stow (1936-2010)

Beatrice Davis and ‘The Sacredness of the Printed Word’

Creative Acts: Archives, Artifacts and Australian Women’s Autobiographies

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)

Review of *Australian Poets* series