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- The Values of *Critique*Essay30 October 2023
- 'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special IssueEssay30 October 2023
- Evaluating Literary Studies [FOR 4705] in Australia: Bad Data, Bad Peer ReviewEssay30 October 2023
- Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* TrilogyEssay3 October 2024
- Towards a History of Literary Programming on ABC RadioEssay29 October 2020
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021
- Place, History and Story: Tony Birch and the Yarra RiverEssay5 May 2016
- ‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into ItalianEssay25 February 2018
- Christina Stead’s Earliest PublicationsEssay7 December 2016
- ‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold WarEssay1 November 2015
- Out of Context: A Study of Thomas Keneally’s NovelsEssay1 May 1969
- Editing A.D. HopeEssay1 October 1986
- The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947Essay1 October 1987
- The Dual Nature of Shaw Neilson’s VisionEssay1 May 1972
- Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ PlayEssay1 May 1997
- Society of Women Writers 1925-1935Essay1 May 2004
- *Fredy Neptune*: Metonymy and the Incarnate PrepositionEssay1 October 2001
- Demidenko/Darville: A Ukrainian-Australian Point of ViewEssay1 October 2004
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008