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- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- The Values of *Critique*Essay30 October 2023
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024
- Interpretation; or, AI’s Missing AlgorithmEssay22 December 2025
- Perceptions of the Enemy in Australian War LiteratureEssay1 October 1985
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- A.G. Stephens: The Critical *Credo*Essay1 December 1964
- The Composition of *Geoffry Hamlyn*: The Legend and the FactsEssay1 October 1968
- Annual Bibliography of Studies in Australian Literature : 1970Essay1 May 1971
- Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary MaterialEssay1 May 1985
- Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British ConnectionsEssay1 May 1985
- Charles Harpur and the Myth of OriginsEssay1 October 1987
- Getting Started: The Emergence of Christina Stead’s Early FictionEssay1 October 1987
- *An Imaginary Life*: The Dimensions of SelfEssay1 May 1989
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011