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The Support of Literature in Colonial Australia

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

Gossip and History in the Novels of Brian Penton and Thomas Keneally

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Boundary Crossing: The Novels of David Foster

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas Shapcott

Un-Australian Activities?: Mary Gilmore’s Versions from the Spanish

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

An Absence of Partisanship

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

A Reconsideration of Christina Stead at Work: Fact into Fiction

Randolph Stow’s *Outrider* and the French Voyager Poem

Man, Work and Country: The Production of Henry Lawson

That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Michael Wilding’s Three Centres of Value

Australian Literary and Scholarly Publishing in Its International Context

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley