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The Company She Keeps: Demidenko and Imposture in Autobiography

Review of *After Electra: Rage, Grief and Hope in Twentieth-Century Fiction*, by Eden Liddelow

Future Tense: *Dead Europe* and Viral Anti-Semitism

Review of *Mudrooroo: A Likely Story*, by Maureen Clark

Review of *Literary and Social Diasporas: An Italian Australian Perspective*, edited by Gaetano Rando and Gerry Turcotte

Review of *Impact of the Modern: Vernacular Modernities in Australia 1870s–1960s*, edited by Robert Dixon and Veronica Kelly

Imagining Transcendence: The Poetry of David Malouf

Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon Watson

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

Review of *Creme de Ia Phlegm: Unforgettable Australian Reviews*, edited by Angela Bennie

Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*

Review of *Thea Astley's Fictional Worlds*, edited by Susan Sheridan and Paul Genoni

Review of *Making Books: Contemporary Australian Publishing*, edited by David Carter and Anne Galligan

Review of *The Sons of Clovis: Ern Malley, Adoré Floupette and a Secret History of Australian Poetry*, by David Brooks

Minding Elephants and the Rhetorics of Destruction

Authors’ Statements [Elizabeth Jolley]

Authors’ Statements [Peter Carey]

Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000

Local Moderns: The Jindyworobak Movement and Australian Modernism

English Studies in Australia: Repositioning the Subject