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- ‘What Has He Done For Our National Spirit?’—A Note On Lawson CriticismEssay1 October 1978
- Arthur and Emily: A Note on a World War I NovelEssay1 May 1990
- Review of *Along the Faultlines: Sex, Race and Nation in Australian Women's Writing, 1880s-1930s* by Susan Sheridan, and *Writing the Colonial Adventure: Race, Gender and Nation in Anglo-Australian Popular Fiction, 1875-1914* by Robert DixonReview1 October 1996
- BushedReview1 October 1993
- James Lester Burke, Martin Cash and Frank the PoetEssay1 May 1992
- Review of *Thomas Keneally’s Career and the Literary Machine* by Paul Sharrad.Review28 October 2021
- Review of *Backgazing: Reverse Time in Modernist Culture* by Paul GilesReview30 September 2022
- Introduction: AI and the Future of Literary StudiesEssay22 December 2025
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius BarbeauEssay1 November 2010
- Recollections Through English SpectaclesEssay1 October 1979
- Maurice Frere’s Wife : Marcus Clarke’s Revision of ‘His Natural Life’Essay1 October 1970
- Patrick White, Some Lines of Development: *The Living and the Dead* to *The Solid Mandala*Essay1 October 1971
- Murnane, Husserl, Derrida: The Scene of WritingEssay1 October 1989
- Australian Bards and British ReviewersEssay1 May 1975
- Small Presses and Little Magazines in the 1970sEssay1 October 1980
- ‘The Only Russian in Sydney’: Modernism and Realism in *The Watch Tower*Essay1 May 1992
- Oodgeroo: Orator, Poet, StorytellerEssay1 November 1994
- ‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*Essay1 May 1997
- Allegory, Space, Colonialism: *Remembering Babylon* and the Production of Colonial HistoryEssay1 October 1995