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‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom

Beatrice Davis and ‘The Sacredness of the Printed Word’

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

Gay and Lesbian Writing and Publishing in Australia, 1961-2001

Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven

The Making of Thomas Keneally

Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*

Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political Novel

Louis Stone’s ‘Jonah’ : A Cinematic Novel

*The Sentimental Bloke* and His Critics

David Campbell’s Poetic Mind

Mateship, Individualism and the Production of Character in Australian Fiction

Drama’s Vitallest Expression: The Fiction of Olga Masters

Family and the Father in the Poetry of Les A. Murray

‘Interest’ in Les A. Murray

Marcus Clarke’s *Chidiock Tichbourne*

Ways of Seeing : Henry Lawson’s ‘Going Blind’

A Bellyful of Bali: Travel, Writing and Australia/Asia Relationships

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges