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- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- ‘Interest’ in Les A. MurrayEssay1 October 1989
- Impossible Literary HistoriesEssay1 October 2010
- *Ralph Rashleigh*: A Convict DreamEssay1 May 1976
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Thoughts on Some Recent PoetryEssay1 October 1977
- Ways of Seeing : Henry Lawson’s ‘Going Blind’Essay1 May 1980
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- The Fiction of Beverley FarmerEssay1 May 1990
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational RhetoricEssay1 November 2009
- An Indian without a CountryEssay1 June 2009
- Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’Essay1 May 2007
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007