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- David Malouf’s *Child’s Play* and ‘The Death of the Author’Essay1 May 1988
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Impossible Literary HistoriesEssay1 October 2010
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*Essay1 October 1980
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*Essay1 May 1995
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- An Indian without a CountryEssay1 June 2009