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Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient Music

Irish-Australian Literature: Ghosts, Genealogy, Tradition

‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary Lives

Poetry, Activism and Cultural Capital

Phonographic Books and the Late Nineteenth-Century Reader

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind

Short Fiction Short Nation: The Ideologies of Australian Realism

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler Colonialism

Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*

Shirley Hazzard’s *The Transit of Venus* and the Question of Value

‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special Issue

Evaluating Literary Studies [FOR 4705] in Australia: Bad Data, Bad Peer Review

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories

Jack Lindsay’s Historical Writings

‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into Italian