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True Tales and False Alike Work by Suggestion: The Poetry of A.D. Hope

‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku Versions

‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s Readers

Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and Milton

*Fredy Neptune*: Metonymy and the Incarnate Preposition

In the Beginning: David Malouf’s *An Imaginary Life*

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian Gray

Review of *The Novels of Kylie Tennant* by Margaret Dick

Editors’ Statements [Vivian Smith]

War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les Murray

Shirley Hazzard: Transit and *The Bay of Noon*

Review of *Australian Literary Pseudonyms: An Index with Selected New Zealand References* compiled by Bruce Nesbitt and Susan Hadfield

Second Thoughts on the Langton Novels : Martin Boyd’s Revisions

Ways of Seeing : Henry Lawson’s ‘Going Blind’

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

Worlds Apart? Finnish Translations of Australian Literature

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne