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Australian Bards and British Reviewers

Small Presses and Little Magazines in the 1970s

‘The Only Russian in Sydney’: Modernism and Realism in *The Watch Tower*

Oodgeroo: Orator, Poet, Storyteller

‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*

Allegory, Space, Colonialism: *Remembering Babylon* and the Production of Colonial History

Arthur Hoey Davis and Several ‘Steele Rudds’: Imagining the Pseudonymous Author

Spatialised Time and Circular Time: A Note on Time in the Work of Gerald Murnane and Jorge-Luis Borges

‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian Club

Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial Recasting

Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic Modernity

Review of *An Unsentimental Bloke: The Life and Works of C.J. Dennis*, by Philip Butterss

Rewriting the Past: Exploration and Discovery in *The Transit of Venus*

The Pursuit of Oblivion: In Flight from Suburbia

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

Henry Lawson: The New Zealand Visits

The Hero’s ‘Fear of Freedom’ in Keneally

Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016

Barbara Baynton: Woman as ‘The Chosen Vessel’

Anthologies and Orthodoxies