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On Appropriation: Two Novels of Dark and Barnard Eldershaw

Demidenko/Darville: A Ukrainian-Australian Point of View

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

Henry Lawson and the ‘Pinker of Literary Agents’

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement

Being Out of Time: Animal Gods in Contemporary Extinction Fictions

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Words, Sticks and Stones: Keneally, Literature and Social Impact

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius Barbeau

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism

Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*

Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs Over

Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000

‘The Kingdom of Dust’: *Voss* as Planetary Epic