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Dying of Landscape: E.L. Grant Watson and the Australian Desert

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

The Eco-Humanities as Literature: A New Genre?

Alien Intoxications: The Aggressions of a Brisbane Opium Smoker

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

In the Club: Australian Crime Fiction in the USA 1943-1954

Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*

Displaced Homelands in Gerald Murnane’s *Inland*

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

Manifesting Literary Feminisms: Nexus and Faultlines

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Teaching the Value of Literature (and Other Paradoxes)

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

The Ends of Empire: Australian Steampunk and the Reimagining of Euro-Modernity

Interpretation; or, AI’s Missing Algorithm

Irony Machines: Artificial Intelligence, Literary Language, and the Opacities of Trust

Recentring Water: Thinking with the Chain of Ponds

The Tennysons in Literary Adelaide

Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig Leichhardt