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- ‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century AustraliaEssay1 May 2007
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Of Sages and Sybils: Alec Hope and Judith WrightEssay1 May 2009
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and CheeverEssay1 October 2006
- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Elizabeth Jolley’s Late WorkEssay1 May 2009
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- Counter-PoeticsEssay1 June 2011
- Alien Intoxications: The Aggressions of a Brisbane Opium SmokerEssay1 June 2012
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive SeniorEssay1 November 2010