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- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- ‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s FictionEssay1 October 1989
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Urban Influence on Australian Literature in the Late Nineteenth CenturyEssay1 October 1975
- The Craftsmanship of Lawson RevisitedEssay1 October 1976
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*Essay1 October 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990