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- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Jindyworobaks and AboriginesEssay1 May 1977
- Gentlefolk Errant: The Family Writings of Martin BoydEssay1 October 1972
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- ‘Savage Paradise’: History, Violence and the Family in Some Recent Australian FictionEssay1 June 1991
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- The Solitariness of Alex MillerEssay1 May 2004
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- Reading Carey Reading MalleyEssay1 October 2004
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008