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Perceptions of the Enemy in Australian War Literature

Transforming *Jane Eyre*: Its Australian Stage Adaptations

A.G. Stephens: The Critical *Credo*

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

Facey’s A Fortunate Life and Traditional Oral Narratives

*Unspoken Thoughts*: A Reassessment of Ada Cambridge

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

‘…The Wild Assertion of Vitality’

John Grant: Australia’s First ‘Really’ Radical Poet

No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850

Decomposing Suburbia: Patrick White’s Perversity

Short Story Anthologies and ‘the Solid Body of Australian Fiction’

Society of Women Writers 1925-1935

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

Demidenko/Darville: A Ukrainian-Australian Point of View

Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom

‘But who considers woman day by day?’: Australian Women Poets and World War I

‘That Wild Run to London’ : Henry and Bertha Lawson in England

First Steps toward a History of the Mid-Victorian Novel in Colonial Australia

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950