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- ‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into ItalianEssay25 February 2018
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- **‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**Essay29 October 2020
- ‘Having Fun with the Professors’: Gwen Harwood and Doctor EisenbartEssay26 February 2017
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Review of *Australian Literature a Reference Guide*, comp. Fred Lock and Alan LawsonReview1 October 1980
- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- Towards a History of Literary Programming on ABC RadioEssay29 October 2020
- Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney LiteraturesEssay25 May 2024
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021
- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- Teaching the Value of Literature (and Other Paradoxes)Essay30 October 2023
- Textual Encounters of the Bird Kind: Dal Stivens and the Night ParrotEssay18 December 2023
- A.G. Stephens: The Critical *Credo*Essay1 December 1964
- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983Essay5 May 2016
- Shaw Neilson’s PoetryEssay1 December 1966
- Vance and Nettie Palmer: The Literary JournalismEssay1 October 1973
- Michael Wilding’s Three Centres of ValueEssay1 May 1998