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- An Absence of PartisanshipReview1 May 1997
- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- ‘Roost High and Crow Low’: The Legacy of Barry AndrewsEssay1 May 2000
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007