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Louisa Lawson’s ‘The Australian Bush-Woman’–A Source for ‘The Drover’s Wife’ and ‘Water them Geraniums’?

Imitations and Versions of Russian Poetry: The Record of an Experiment

‘Down at the Dump’ and Lacan’s Mirror Stage

Review of *The Passing Guest: A Life of Henry Kingsley* by J.S.D. Mellick

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Proserpina and Pluto, Ariadne and Bacchus: Myth in Patrick White’s ‘Dead Roses’

Review of *The Oxford History of Australian Literature* ed. by Leonie Kramer, and *The Stockyard and the Croquet Lawn* by G.A. Wilkes

Review of *The Oxford History of Australian Literature* ed. Leonie Kramer, and *The Stockyard and the Croquet Lawn* by G.A. Wilkes

Pacifying the Socialist: The ‘Reform’ of Henry Lawson’s ‘The Hymn of the Socialists’

The Australian Bush-Woman

Review of *Quadrant: Twenty-Five Years' ed. Peter Coleman, Lee Shrubb, Vivian Smith, and *A Possible Contemporary Poetry* ed. Martin Duwell

Ezra Pound, Frederic Manning and James Griffyth Fairfax

The Public Image of John Shaw Neilson

Review of *A History of Australian Literature, vol 1 1789-1923, vol. 2 1923-1950* by H.M. Green, rev. Dorothy Green; and *A History of Australian Literature* by Ken Goodwin

Review of *Catherine Helen Spence* ed. Helen Thomson; and *Point of Departure. The Autobiography of Jean Devanny* ed. Carole Ferrier

John Manifold: Poet At Cambridge

Review of *Courage a Grace: A Biography of Dame Mary Gilmore* by W.H. Wilde, and *Martin Boyd: A Life* by Brenda Niall

Shirley Hazzard : Dislocation and Continuity

The Family Face: Martin Boyd’s Art of Memoir

An Irish Conflict in *Bring Larks and Heroes*